The Journal of Nature in Visual Culture  

Antennae is currently accepting submissions for publication over the year 2009.
We are looking for work fitting the following topics:

.Mechanical Animals

.Animals and Environmental Issues

.Pig

Submissions are open to visual arts, academic and non academic text.

 

 

 

Download the Journal by clicking on the front cover above

Download a printable version of Antennae Issue 6 Summer 2008 by clicking on the front cover above. If printing Antennae, consider the environment : print on recycled paper and/or back to front. 

Antennae Issue 6- Contents

4    Objects of Loss and Remembrance
Rachel Poliquin is currently working on the writing of her forthcoming book: ‘On Taxidermy and Other Objects of Longing’.    Here we publish an extract from her second chapter.
Text by Rachel Poliquin

7     Ravishing Beasts
Rachel Poliquin’s interest in taxidermy began as a fascination with both its animal-objects, lingering old and musty beyond their natural course, and her particular interest in the aesthetic side of the natural and unnatural sciences. Today, amongst other things, Poliquin is the Editor of ‘Taxidermy: Ravishing Beast’, the internet’s reference point for cultural taxidermy.
Text by Rachel Poliquin. Interview by Eric Frank

13   Constructed Reality: The Diorama as Art
Diane Fox explores the encounter - the returned animal gaze that holds the viewer in communication. But is communication effectively achieved through the naturalistic artifice of natural history dioramas?
Text by Diane Fox

21   Flat out and Bluesome
‘Nanoq: flat out and bluesome’ is the story of polar bears, the largest land predators on earth, and their journey from the arctic wilderness to the museums and stately homes of the UK. The work documents the histories of each of these bears, the legacies of the hunters who shot them and the skills and expertise of the taxidermists who stuffed them.
Text by Bryndis Snæbjörnsdóttir and Mark Wilson and Lucy Byatt
                  
28   Nanoq: in Conversation
We interviewed Bryndis Snæbjörnsdóttir and Mark Wilson to discuss ‘Nanoq: flat out and bluesome’, relationships between animals and humans, taxidermy and Damien Hirst.
Interview by Giovanni Aloi

35   Empty Trophy
In the 1990s Jordan Baseman taught himself taxidermy in order to make a number of striking pieces that often used the skins of domestic animals discovered as road-kill outside his studio in east London.
Interview by Shelly Stein

38   Taxidermy Chic
Although Polly Morgan has been working as an artist for only three years, the unnerving tableaux she creates using taxidermied animals, make disquieting observations about beauty and mortality, and have attracted plenty of attention in the celebrity circles.
Interview by Giovanni Aloi

44   Multimedia Taxidermy
Andrea Roe's work uses taxidermy to examine the nature of human and animal biology, behaviour, communication and interaction within specific ecological contexts.
Interview by Eric Frank

51   How to Explain Sculpture to a Dead Owl
Claire Morgan’s work contains the attempt to bring forth and render visible the closed realm of nature. However, in her work this realm is shown as being systematically threatened, and the sculptures present an implicit critique of the contemporary world.
Text by Darren Ambrose

55   In Conversation with Claire Morgan
We met with Claire Morgan to discuss her gravity defying sculptures and the use of taxidermy in her work
Interview by Giovanni Aloi & Eric Frank

65   The Specimen
Mark Fairnington creates photo-real paintings of specimens from  zoological collections, including the Natural History Museum’s own. Using high-definition electron microscopes Fairnington captures the minute details of a specimen photographically, before interpreting itin paint on huge canvasses.
Interview by Shelly Stein                          

Front cover image: The Raft, mark Fairnington, detail, Oil on Canvas, 2006

 

 

 

 
 

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